Hamlet is Fun

I wrote this piece for a creative nonfiction class during my junior year of college. I am more than a bit leary about posting something so personal on the internet, but I have decided that it doesn't have to be a big deal. While I often wish that I had made different decisions, I am becoming increasingly less ashamed of my past as I continue to mature and move forward in life. Plus, the majority of people who actually read this blog suffered through this period of my life with me anyway. If you are a newer friend or an internet friend or a random visitor and you have questions, feel free to send them my way. Because I am still kind of paranoid, I'd really appreciate comments if you read this. I'd love to hear some suggestions on improving the style or content or anything else. Thanks.

*****

"No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool."

- T.S. Eliot
"The Love Song of J. Alfred Prufrock"

“I am Polonius.” I struggle not to giggle. I attempt to mask my high-pitched, nasally voice with caricatural grandiosity. I state the opening line of this impromptu one-woman Hamlet show on a Saturday evening in October. I am a college junior, and I have been oddly enraptured by the tragic play for over three years. I am convinced that Shakespeare intended for this role to be portrayed exclusively by a short, chubby, balding man. To compensate, I kneel on the toast colored, beer stained carpet in my friends’ living room. I straighten my back and extend my belly. Good enough. I pause for dramatic effect. My tiny audience is surprisingly attentive.

“La la la. To thine own self be true. Be a good kid, Laertes. Listen to me. I am wise and wonderful and dead sexy and very chatty. More matter, with less art, requests Gerty. Blah, blah, blah. Oh, my daughter is assuredly making Hamlet crazy. I will get to the bottom of this, yet! As I am such an unbelievably brilliant mastermind, I shall hide behind this thick, velvety curtain and uncover the truth. My stealthiness knows no bounds . . . Ow! Oooh! Ouch!” I speedily collapse and clutch my chest with both hands. For half a minute, I thrash about on the floor. My arms flail wildly. I warp my face into a slew of hideous contortions in an attempt to relay the intense pain of being stabbed.

“Oh, the agony. I am not your rat, you loser! Oh, I am slain! Sad day for me.” I draw my limbs to my chest and lie curled in the fetal position. I quickly peer up to assure that my friends are enjoying themselves. Satisfied, I return to character in order to display my perfected dead person face. The side of my head meets the floor with a heavy thud. My lips part slightly as I fix my eyes blankly ahead.

“I am Horatio.” Quickly moving on with the performance, I jump up and stand atop the center of the coffee table.

“I am the most noble literary character of all time. I am a scholar. I know lots of Latin. So what if the ghost wasn’t exactly responsive to my efforts? I am Hamlet’s only true-blue buddy - the one who sticks it out until the end. And since I’m such a great guy, I am permitted to survive this nasty bloodbath of a drama.” Pausing, I clasp my hands together and tilt my head slightly to the left. I make the most contemplative face I can render, glancing down at the imaginary dead guy.

“Now cracks a noble heart - Goodnight, sweet prince. And flights of angels sing thee to thy rest! Alright, Fortinbras, march on in to restore the order in Denmark.”

“I am Gertrude.” I sit regally upon the edge of the table, crossing my legs at the ankles. I demonstrate my beauty queen wave and hold my chin high.

“Since my husband has suffered an untimely death, I might as well marry his brother. We can use the funeral leftovers for the wedding reception. What a grand and thrifty idea! Oh, my son has gone quite mad. Frailty thy name is woman!” In my manliest voice, I shout Hamlet’s blatant insult in an aggressive, yet comically drawn-out manner.

“Here, Hamlet, come in my bedroom and scream at me for a while. Then we can make out. (But only if you are Mel Gibson.) Oh, the agony! I am so torn. My husband, my son, my husband, my child, my throne, my life . . . Hamlet, honey, hand me your cup.” I form the universal choking sign with my hands. I cough, gurgle, and gag, as I farcically fall from my coffee table throne. “Oh, what a dark, sad day in Denmark.”

“I am Ophelia.” I announce the character change in a light, singsong tone. I begin to skip around in circles. It is difficult to contain my giddiness.

“I’m obedient and fair and everyone loves me. Oh, sad for Hamlet, my sort-of love. His dad is dead, and he is getting stranger by the day. Get thee to a nunnery!” My demanding Hamlet voice makes a quick reappearance.

"Um, no thanks, and you’re weird. Daddy, help! Hamlet is freaking me out. Does he honestly think I’ll look good in a habit? What? Dad is dead?” I sigh, placing the back of my hand on my forehead as I listlessly stagger around the room.

“Time to sing the remainder of my lines. I’m little Ophelia, the poor psychotic girl.” I dance about. I pass out make-believe flowers to my onlookers.

“Some rosemary for you. You get some rue. I’m beyond crazy now, and I hope you all feel guilty for the pathetically short remainders of your lives.” I stop and pull my hair from its drooping ponytail. Bending over, I fervently tousle it and shake my head in order to appear authentically disheveled.

“La la la la. Time to die. I’m off to find some heavy rocks to shove in my pockets. Fighting in my grave, boys? That’s intense, anyway.” I daintily collapse into a sloppy heap, kindly sparing my friends my interpretation of drowning oneself to death.

*****

I, like Ophelia, have also lost it. Overwhelming insecurities coupled with external stresses beyond my control have left me with disastrous coping mechanisms at points in my life. My body has been perpetually and relentlessly targeted as the scapegoat for my discontent. On a dreary afternoon in early April 2002, I arrive at my hometown cemetery. A faint drizzle of rain lingers. The sunless sky accents both the lifeless blacktop on which I travel and my colorless disposition. The cemetery is the ideal exercise facility during college breaks. It is quiet, serene, clean, and free of cost. Most importantly, I know that walking one lap around the new section and another around the old one equals almost exactly one mile. I need to accurately track the distance traveled in order to experience the slightest bit of relief.

I am alone with my thoughts. I can’t believe I ate that today. Fucking fat ass. I pinch my stomach and grasp each of my wrists. A recently consumed bagel sits sqarely in my stomach, a heavy, lumpy reminder of my ostensible failures. I try to assess the damage. Yep, definitely at least 10 pounds heavier than last week. What are people going to think when I get back to school? I can’t even be consistently sick. I glance at the rusty garbage can that rests to the right of my similarly colored car. Should I? Could I really get away with it? It’s already been at least fifteen minutes. And what if someone sees me? I drag myself past the parking area, tracing my collarbone with my fingers.

Oh, my goodness, my grades from last term . . . My second term average boasts three incompletes and a D in American Sign Language, presumably the easiest course offered at my college. A 0.9 GPA. I cringe in disbelief. Formerly an academic overachiever, I find myself abruptly plagued by an inexplicable strain of deranged perfectionism that prohibits me from accomplishing any work at all. Lovely. I’m still fat. I feel like shit, and I’ve ruined my entire college career. What a plan.

I slow my pace. I walk with my head fixed to my right. I eye every shiny, upright tombstone with the hopes of catching an accurate glimpse of myself in a makeshift mirror. After a few minutes, I approach the towering headstone of a fourteen year old killed in a car accident three days before Christmas. It is a gorgeous standout that displays a haunting etching of a weeping willow that the artistic youth sketched prior to his passing. It allows me to examine myself from the hips down. I stop and stare. Gross. My legs are way bigger than I thought. And my butt? I’m never eating again. Facing the tombstone, I press my heels together. I roll my black yoga pants to my knees and begin to scrutinize my calves. I then tug at the material hugging my thighs and measure the space between them. Elephantine. I squeeze my stomach chub and turn from side to side, examining my profile from every imaginable angle. Eventually, I force myself to continue walking, checking my arms for Oprah flub as I round the corner. People are silly. No one this fat is worthy of concern. Not entirely satisfied, I search out another means by which to view myself. I spot a large mud puddle a couple of feet to my left. I am thankful to be the lone visitor in this section of the graveyard. I straddle the edges of the misshapen circle, hovering over the murky waters in a desperate search to see myself.